The version of ‘La Campanella’ popularly performed nowadays is the third one published in 1851 in the enharmonic G-sharp minor. A few years later he produced a second version, removing a lengthy introduction, and changing the key from a minor to A-flat minor, presumably so that the big jumps would land on black keys rather than white ones, making it (slightly) easier to play. The public simply yelled and clamored for that show piece till he sat. "La clochette" is relatively little known, and rarely performed. He first heard Liszt play in Paris in 1841the very year of Liszt’s essay on Paganini and to his horror, he heard him play a fantasia on Meyerbeer’s Robert the Devil, as an encore at a concert devoted to Beethoven But he realized, too, that Liszt was not to blame. “La Campanella,” which is based on Paganini’s second violin concerto, forces the pianist to do unheard of things: awkward trills, huge leaps with both hands, and finger-twisting technique that no one had heard before even from Liszt himself.īackgroundLiszt wrote a first version of this piece and called it "Grande Fantaisie de Bravoura sur la Clochette de Paganini" in 1834, after he heard Paganini perform his own second violin concerto. He resolved at that moment that he would strive to do the same with the piano. In 1884, Liszt wrote a short album leaf that can serve as an introduction to this étude.Ĭopyright © 2016–2023 up to listen & download > Liszt's magic bellWhen Liszt saw Paganini play for the first time, he realized that Paganini wasn’t just playing better than anyone else, he was playing the violin as well as it could be played. This is an arrangement of a caprice for solo violin (op. 231) and Grande Fantaisie sur des thèmes de Paganini ( S. Liszt also uses the theme from the second concerto in his Grande Fantaisie de bravoure sur La Clochette (S. In the 1838 version, Liszt included also material based on the final movement of the first violin concerto (op. In 1841, shortly after Paganinis death, Liszt wrote a remarkable essay in which he declared that the death of that Italian violinist signified the end of. This is based on a theme from the final movement of the second violin concerto (op. This is an arrangement of a caprice for solo violin (op. Franz Liszt: Grandes tudes de Paganini - for piano solo - Separate Edition from the New Liszt Complete Critical Edition. 700a/i (13' 30') Grande Fantaisie sur des thmes de Paganini, S. 141, are a series of six tudes for the piano by Franz Liszt, revised in 1851 from an earlier version (published as tudes d'excution transcendante d'aprs Paganini, S.140, in 1838). 420 (15' 30') Grande Fantaisie sur des thmes de Paganini, S. Grande Fantaisie de bravoure sur La Clochette, S. Paganini Piano Collection Series Composed by Franz Liszt Edited by P Gallico. Mei-Ting Sun performs Franz Liszt's Paganini Etude 5 (in its original 1838 version) at the 2008 International Society of the Friends of Gyrgy Cziffra concert, hosted by Francis Romano at. 525 (14') Works based on music by Nicol Paganini. 6) that includes the introduction to another caprice (op. Piano Sheet Music & Songbooks like the G. New Liszt Edition (Editio Musica Budapest).The collection also exists in an earlier version from 1838, the Six Études d’exécution transcendante d’après Paganini (S. The études are arrangements of works by Nicolò Paganini.
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